The Sirui 24mm T1.2 Cine Lens from the Night Walker series is a cinema prime designed to cover Super35/APS-C sensors, built for a true “cinematic” look in run-and-gun work, short films, commercials, and high-end social content where you need a fast wide angle that performs in low light without sacrificing on-set control and consistency. The T1.2 maximum aperture gives you real flexibility for night scenes, interiors, and dim environments, with manageable depth of field and a smoother-than-expected bokeh for a 24mm, supported by a 12-blade iris; rendering aims for balanced contrast and clean results, using high-refractive-index glass and minimal focus breathing—especially helpful when rack focusing in the shot. Focusing is fully manual, with an extended throw of around 270° for precise, repeatable pulls, aided by both metric and imperial focus markings; standard cine gears (0.8 MOD) on focus and aperture make it compatible with follow-focus systems and lens control setups, and the series keeps consistent ring placement to speed up lens swaps. In day-to-day use, the lens features a 67mm filter thread and a 79mm front diameter, making ND filters and accessories straightforward, while a minimum focus distance of roughly 30 cm enables dynamic close-up wide-angle compositions with strong perspective; weight is around 500 g (depending on mount), which works well on gimbals and lightweight rigs. It is offered in multiple mounts, including Sony E, Fujifilm X, Canon RF, Micro Four Thirds, and L-Mount, typically in black or gunmetal finishes, and it stands out as a compelling choice for anyone looking for a compact Super35/APS-C 24mm T1.2 cine prime with set-friendly ergonomics and strong value for money.